這個系列是關於自然與“不自然”之間的關係。 近年來，許多圖像彷彿是自然災害的結果，但我觀察後發現，這些圖像並非表象如此。人類與大自然共生是極為重要的議題，進一步讓我思考，自然與人造之間如何和諧的共存?
This collection is about the relationship between natural and the (Manmade) “unnatural”. Recent years, I came upon many images that are just the result of natural disasters, but upon closer inspection saw that these are not what they seemed.
It gets me thinking, how do we harmonious co-existence between humans and nature? This is an extremely important issue in this modern world we live in.
這個系列是關於自然與“不自然”之間的關係。 近年來，許多圖像彷彿是自然災害的結果，但我觀察後發現，這些圖像並非表象如此。人類與大自然共生是極為重要的議題，進一步讓我思考，自然與人造之間如何和諧的共存?
This collection is about the relationship between natural and the (Manmade) “unnatural”. Recent years, I came upon many images that are just the result of natural disasters, but upon closer inspection saw that these are not what they seemed.
It gets me thinking, how do we harmonious co-existence between humans and nature? This is an extremely important issue in this modern world we live in.
時尚是世界上污染最嚴重的行業之一，因為過度消費服裝，而生產服裝其一為-棉花，此經濟作物是相當污染環境。另外其二為-塑料製成的合成纖維，每年以數百萬噸被棄置於全世界的垃圾填埋場。
這系列的作品，使用100％棉和羊毛等天然紗線，與塑料管以及橡膠製品結合使用。我使用反諷的方式，呈現人類最終將生活在我們生產的所有“人造”產品之中。
這系列作品中運用提花所表現的“故障”印花是表達我對環境發生的感受。在過去的一個世紀裡，地球正在遭受突然的不規則和故障，就像電腦故障一樣。
這個系列並不是使用有機天然紗線或染料來實現永續性。而是關於“我們如何在人與自然之間實現和諧共存？”的議題上帶來一個新的概念，並思考持續發展的可能性。
設計核心著重於恆久，簡潔以及自在。最更重要的是，舒適並帶點前衛的設計。這系列的女裝穿搭不僅是日常隨性的，也適合正式的場合，取決於你想要如何裝扮它
Fashion is one of the most polluting industries in the world. It’s based on excessive consumption of cloth, which made from cotton- a resource-intensive natural fibers or synthetic fiber made from plastic and devoted millions of tons a year to landfills worldwide.
I use natural yarn like 100% cotton and wool, to combine with plastic tube or rubber products. It’s my sarcastic way to show how we may end up living with all the “man-made” products we produced.
The “glitch” jacquard print I chose to use in this collection shows how I feel about what’s happening to our environment, which in the past hundred years the earth is suffering a sudden irregularity and malfunction- Just like a computer glitch.
This collection is not using organic natural yarn or dye to achieve sustainability. Its “How do we harmonious co-existence between humans and nature?” Bring a new idea of how sustainably can take a new turn.
My core design values timeless, simplicity, ease, and most importantly, comfy. But with a little bit of edgy design. Its day-to-night womenswear collection can be casual also formal depends on how you want to dress it up or down.
時尚是世界上污染最嚴重的行業之一，因為過度消費服裝，而生產服裝其一為-棉花，此經濟作物是相當污染環境。另外其二為-塑料製成的合成纖維，每年以數百萬噸被棄置於全世界的垃圾填埋場。
這系列的作品，使用100％棉和羊毛等天然紗線，與塑料管以及橡膠製品結合使用。我使用反諷的方式，呈現人類最終將生活在我們生產的所有“人造”產品之中。
這系列作品中運用提花所表現的“故障”印花是表達我對環境發生的感受。在過去的一個世紀裡，地球正在遭受突然的不規則和故障，就像電腦故障一樣。
這個系列並不是使用有機天然紗線或染料來實現永續性。而是關於“我們如何在人與自然之間實現和諧共存？”的議題上帶來一個新的概念，並思考持續發展的可能性。
設計核心著重於恆久，簡潔以及自在。最更重要的是，舒適並帶點前衛的設計。這系列的女裝穿搭不僅是日常隨性的，也適合正式的場合，取決於你想要如何裝扮它
Fashion is one of the most polluting industries in the world. It’s based on excessive consumption of cloth, which made from cotton- a resource-intensive natural fibers or synthetic fiber made from plastic and devoted millions of tons a year to landfills worldwide.
I use natural yarn like 100% cotton and wool, to combine with plastic tube or rubber products. It’s my sarcastic way to show how we may end up living with all the “man-made” products we produced.
The “glitch” jacquard print I chose to use in this collection shows how I feel about what’s happening to our environment, which in the past hundred years the earth is suffering a sudden irregularity and malfunction- Just like a computer glitch.
This collection is not using organic natural yarn or dye to achieve sustainability. Its “How do we harmonious co-existence between humans and nature?” Bring a new idea of how sustainably can take a new turn.
My core design values timeless, simplicity, ease, and most importantly, comfy. But with a little bit of edgy design. Its day-to-night womenswear collection can be casual also formal depends on how you want to dress it up or down.