底片相機拍下的烏鴉，只是攝者自身的投射，情緒氧化後滲出的殘像，在親密與疏離間反覆擺盪。透過長時間反覆浸泡墨汁及鐵鏽水來呈現底片質感與情緒氧化的沉澱，並藉由肌肉包覆骨骼的概念發展一片式版型，來表達拍攝者對於親密與疏離間的隱晦張力。
A Raven captured on film is merely a projection of the photographer’s own self, an afterimage seeping through the oxidation of emotion, oscillating between intimacy and distance. Through prolonged, repeated soaking in ink and rust water, the work recreates the texture of photographic film and the sedimentation of emotional oxidation. The concept of muscles enveloping bones is then translated into one-piece pattern cutting, expressing the subtle tension between intimacy and distance.
想表達永續時尚，必須重新思考服裝與時間、身體及人的關係。 本系列透過天然纖維布料、天然媒材染色讓衣服能保留自然質地並隨著時間氧化、 褪色、沉澱。 在細節上，我也堅持不用五金配件，全數以木釦與手工陶磁釦替代，讓衣服在老化後也能保有最原始的穿著體驗。 隨著每人的穿著方式、生活環境，留下屬於個人獨有的痕跡，留下屬於個人的記憶。
「永續時尚」是一種內化過後的生活方式。
To embrace sustainable fashion, we must rethink the relationship between clothing, time, the body, and the individual.
This collection uses natural-fiber fabrics and natural dyes to preserve the inherent qualities of the materials, allowing the garments to naturally oxidize, fade, and accumulate traces over time.
In the details, I deliberately avoid metal hardware, replacing it entirely with wooden and handmade ceramic buttons, allowing the garments to retain their original wearing experience even as they age.
Through each individual’s way of wearing and living environment, the garments gradually develop unique traces, preserving memories that belong solely to the wearer.
Sustainable fashion is a way of life that has been internalized.