天黑黑 欲落雨 黑黑 黑黑 我的小時候,下雨的時候,我的阿嬤總喜歡哼著這首歌哄我 成年之後,回想在阿嬤含辛茹苦的年代、曾經的流金歲月裡 美麗的臺灣藍鵲、寓意祝福的花磚......,象徵阿嬤的美好年代 阿嬤的養育之恩、生長的臺灣,如母親般孕育著自己的年少,育我如母! 如黑暗中的一縷微光,教會少年不怕風雨,懷著勇氣迎向未來。
When it gets dark and it seems like it's about to rain, my grandmother used to hum this song to soothe me during my childhood. As an adult, I reflect on the hardships my grandmother endured in her time, and the golden era that once was. The beautiful Taiwan blue magpie, the decorative tiles symbolizing blessings—these represent my grandmother's era of grace. The nurturing love of my grandmother, along with the Taiwan that raised me, shaped my youth just as a mother would. Like a faint light in the darkness, she taught me not to fear the storm, but to face the future with courage.
《育我如母》重新利用工廠剩餘的矽膠與硬化劑,將原本可能被廢棄的工業材料覆合 於針織布料,延長材料的生命週期並減少浪費。同時,作品搭配竹纖維、再生棉等天然 與再生纖維,希望透過更負責任的材料選擇,降低對環境的影響。矽膠塗層除了賦予 布料獨特的質感,也提升了服裝的防潑水性、耐磨性與耐用度,使作品兼具美感與功 能性。 除了材料永續之外,我也希望延續台灣的文化記憶。作品透過當代針織重新詮釋花磚、 竹編等台灣傳統工藝與文化元素,讓這些逐漸消失的文化以新的形式被看見。系列以 祖母的故事為創作核心,希望建立穿著者與服裝之間深層的情感連結,讓服裝不只是 被消費,而是能夠被珍惜、保存,甚至代代傳承。我相信,真正的永續不只是來自材料 的選擇,更來自服裝所承載的文化價值、情感記憶,以及跨越時間的生命力。
To Grandma is a collection built around the idea of sustainability. I reused leftover silicone and hardener from factories by applying these materials to knitted fabrics, giving waste materials a second life and reducing unnecessary waste. I also used natural and recycled fibers, such as bamboo fibers and recycled cotton, to make more responsible material choices. The silicone coating not only creates a unique texture but also improves the garments by making them more waterresistant, durable, and resistant to abrasion.
Beyond material sustainability, I also wanted to preserve Taiwanese culture. Through contemporary knitwear, I reinterpreted traditional Taiwanese crafts and cultural elements, such as floral tiles and bamboo weaving, allowing these traditions to be seen in a new way. Inspired by my grandmother's story, the collection creates an emotional connection between the wearer and the garment, encouraging people to treasure their clothing rather than treat it as something disposable. I believe sustainability is not only about choosing better materials, but also about creating garments that carry cultural value, personal memories, and can be appreciated for many years.