古蘊 Ancient Spirit

2025 入圍Finalist
R560 江槺耀(馬來西亞)Kang, Kheng Yao(Malaysia)


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靈感來源 / 設計理念

「古蘊」以古代人形雕塑與器物中吸取靈感,將斑駁痕跡轉化為服裝印花,象徵時間留下的痕跡。整體設計結合現代工裝與戶外服風格,並以人形文物的頭部輪廓延伸為頭套造型,嘗試以當代視角重新詮釋古老文化,並轉化為具實驗性的服裝語言。

Concept / Inspiration

"Ancient Spirit" draws inspiration from ancient human-shaped sculptures and artifacts, transforming weathered traces into textile prints that symbolize the marks left by time. The overall design merges contemporary workwear and outdoor aesthetics, extending the head contours of human relics into hood-like headpieces, offering a contemporary reinterpretation of ancient culture and translating it into an experimental fashion language.

作品與「永續」、「功能」、「機能」之關聯性

「古蘊」以厚帆布等耐磨素材製作,提升服裝使用壽命與結構穩定性。設計融入多口袋、立體剪裁與可拆卸頭套,兼具戶外與工裝機能。斑駁印花模擬文物經時間侵蝕的表面狀態,呼應主題的歷史感與痕跡美學。每套服裝搭配不同肌理的白色布料,增加視覺層次與材質對比。整體造型偏實驗性,但具備拆解與簡化後轉化為實穿設計的可能,是探索機能服裝造型化的一種方向。

SUSTAINABILITY and FUNCTION

Constructed from durable materials such as heavy canvas, "Ancient Spirit" ensures longevity and structural integrity. The design features multiple pockets, three-dimensional tailoring, and detachable headpieces, merging outdoor functionality with utilitarian workwear. Distressed prints mimic the timeworn surfaces of artifacts, reflecting the theme’s historical depth and aged-texture aesthetics. Each look incorporates white fabrics of varied textures, enhancing visual layering and material contrast. While the silhouettes remain experimental, they can be deconstructed and simplified into wearable designs, offering one possible path for transforming functional apparel into sculptural forms.