本系列設計以針織紗環為媒介，深入探討道家哲學中「有」與「無」的相生相依。紗線如同水流一般，從不止步，而是以柔和而連綿的姿態不斷流動，交織出中國水墨畫中那種似有似無的意境與流動感。透過紗線這一具有詩意的素材，設計師探討自然與人之間的深層聯繫，呈現出道家哲學中自然與人類共生共存的和諧平衡，並賦予織品如山水畫般的層次感與肌理之美。此外，系列所有紗線皆取自庫存或再加工的瑕疵紗線，並運用毛衣電腦編織成型技術，讓布料製作幾近零浪費。
This collection takes knitted yarn loops as a medium to deeply explore the Daoist philosophy of the interdependence between “being” and “non-being.” The yarn, like a flowing stream, never stands still but moves continuously in soft patterns, weaving together the subtle and elusive essence found in Chinese ink painting. Through the poetic qualities of yarn, the designer delves into the profound connection between nature and humanity, showcasing the harmonious balance that Daoist philosophy envisions between the two, giving the textile a layered and textured beauty like a landscape painting. In addition, all yarns are sourced from deadstock or re-processed defective yarns, with pieces developed through computerized flat knitting fully-fashioned techniques to achieve near-zero waste.
本系列所有紗線皆來自庫存或經設計師再加工處理的瑕疵紗線，強調材料再利用與永續實踐。多數單品採用毛衣電腦編織「成型技術」設計與織造，布料製作上幾乎達到零浪費，同時減少紗線損耗並確保服裝結構的精準與機能性。此設計策略不僅降低環境影響，也提升作品的功能與表現。系列結合永續、功能與工藝，展現當代時尚如何在創新中實踐責任設計。
All yarns in this collection are sourced from deadstock or defective yarns re-processed by the designer, emphasizing material reuse and sustainable practice. Most pieces are developed with computerized flat knitting “fully-fashioned” techniques, enabling fabrics to be shaped directly with near-zero waste, reducing yarn loss while ensuring structural precision and functional performance. This design strategy not only minimizes environmental impact but also enhances the functionality and expression of the garments. By integrating sustainability, function, and craftsmanship, the collection demonstrates how contemporary fashion can embody responsible design through innovation.